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If peaceful and reflective is what you seek in a painting, look no further than “#1887” by William Sievert.
Have you ever imagined of walking through a quiet, blue forest? Now you can in William Sievert’s, “#1889.”
With a dreamlike imagination similar to William Sievert’s “#1887,” the artist adds a magical meadow in “#1890.”
Charles Murphy packs action, color and talent into this watercolor painting.
Look, see, imagine with “About Face,” by Rufus Snoddy.
We all know of nature’s fury, but the flip side shows bold in “After The Storm” by Alan Maciag.
Margaret White paints still lifes as cleverly as she does figures.
“Atop the Stone Arch” is vintage Charlie Murphy, showing playfulness, nature and true talent.
Geometry is art in “Balance/#264” by Ron Gianola, a clever use of shape and color.
Margaret White’s still lifes are legendary, from their detail to their color. “Bartlett Pears” is no exception.
In “Beachcomber,” Gail Hayton captures a fall day on an empty beach — possibly the best kind of beach day.
Anticipation stirs the emotions in “Before the Storm” by Jerry Gates, mixed media on canvas, 16 inches wide by 14 inches high, $400.