Showing 1–12 of 113 results
Alluring and almost magical is “#1864,” by William Sievert.
Have you ever imagined of walking through a quiet, blue forest? Now you can in William Sievert’s, “#1889.”
An original acrylic masterpiece interwoven with color and detail is “A Well Placed Lie #2” by Marcia Hales.
“Along The Fence” by Thomas LeGault is a riot of color and a deluge of beauty.
Rufus Snoddy examines form and character in “Animal Spirit.”
Margaret White’s “Art Collector” has a gold, hand-painted frame.
Betty Bea Washburn captures the beauty of autumn and all its colors in “Autumn Blend.”
“Autumn Hillside on the River’s Close” is an oil-pastel on paper.
Invoking memories of Fall on the farm with Alan Maciag’s “Autumn’s Peak.”
William White’s “Backlit” takes color to a new extreme. His use of shades of black emphasizes, brightens and emboldens the reds, purples and greens.
Geometry is art in “Balance/#264” by Ron Gianola, a clever use of shape and color.
You can almost smell the blossoms and the earth in Thomas LeGault’s “Barns in Spring.”