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Alluring and almost magical is “#1864,” by William Sievert.
Have you ever imagined of walking through a quiet, blue forest? Now you can in William Sievert’s, “#1889.”
“Along The Fence” by Thomas LeGault is a riot of color and a deluge of beauty.
Rufus Snoddy examines form and character in “Animal Spirit.”
Margaret White’s “Art Collector” has a gold, hand-painted frame.
Betty Bea Washburn captures the beauty of autumn and all its colors in “Autumn Blend.”
“Autumn Hillside on the River’s Close” is an oil-pastel on paper.
William White’s “Backlit” takes color to a new extreme. His use of shades of black emphasizes, brightens and emboldens the reds, purples and greens.
Geometry is art in “Balance/#264” by Ron Gianola, a clever use of shape and color.
You can almost smell the blossoms and the earth in Thomas LeGault’s “Barns in Spring.”
Margaret White’s still lifes are legendary, from their detail to their color. “Bartlett Pears” is no exception.
Blue Rabbit by Daniel Heron uses mixed media to tell its story. This original art is 25 inches wide by 37 inches high and sells for $1,100.