Showing 1–12 of 93 results
Alluring and almost magical is “#1864,” by William Sievert.
Have you ever imagined of walking through a quiet, blue forest? Now you can in William Sievert’s, “#1889.”
“Along The Fence” by Thomas LeGault is a riot of color and a deluge of beauty.
Margaret White’s “Art Collector” has a gold, hand-painted frame.
Betty Bea Washburn captures the beauty of autumn and all its colors in “Autumn Blend.”
“Autumn Hillside on the River’s Close” is an oil-pastel on paper.
William White’s “Backlit” takes color to a new extreme. His use of shades of black emphasizes, brightens and emboldens the reds, purples and greens.
Geometry is art in “Balance/#264” by Ron Gianola, a clever use of shape and color.
Construction, paint, sculpture and pure imagination encapsulate “Barney’s Trick” by Rufus Snoddy.
You can almost smell the blossoms and the earth in Thomas LeGault’s “Barns in Spring.”
Margaret White’s still lifes are legendary, from their detail to their color. “Bartlett Pears” is no exception.
This oil painting by William White captures the fire of red poppies, contrasted beautifully with greenery. It is a great size for that tricky spot in your home or office.