Showing 1–12 of 122 results
“Above the Gush” by Jerry Gates, oil-pastel, 37.5 inches wide by 31.5 inches high, framed, $2,700.
Light and layers of fine detail define Gerald Moore’s “Amish Bales.”
Margaret White’s “Art Collector” has a gold, hand-painted frame.
The peak of fall color can glorify your life all year long with “Autumn Color” by Alan Maciag.
“Autumn Hillside on the River’s Close” is an oil-pastel on paper.
From the State parklands of Leelanau County, Richard Forrest captures this historic site in “Back Yard.”
William White’s “Backlit” takes color to a new extreme. His use of shades of black emphasizes, brightens and emboldens the reds, purples and greens.
Construction, paint, sculpture and pure imagination encapsulate “Barney’s Trick” by Rufus Snoddy.
Margaret White’s still lifes are legendary, from their detail to their color. “Bartlett Pears” is no exception.
Using the Gyotaku technique to imprint a fish onto paper, Mark Mehaffey embellishes this work with color, styling & written word.
Plein air painting at it’s best is found in the warm hues and nostalgic feel of Connie Kuhnle’s, “Ben’s Farm in May.”