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Alluring and almost magical is “#1864,” by William Sievert.
“Above the Gush” by Jerry Gates, oil-pastel, 37.5 inches wide by 31.5 inches high, framed, $2,700.
Light and layers of fine detail define Gerald Moore’s “Amish Bales.”
Margaret White’s “Art Collector” has a gold, hand-painted frame.
The peak of fall color can glorify your life all year long with “Autumn Color” by Alan Maciag.
Fall’s hues take center stage in Alan Maciag’s “Autumn Gold.” As a plein air painter, Alan is known to get outdoors and paint up to 2 times per day… and we are thankful for it!
“Autumn Hillside on the River’s Close” is an oil-pastel on paper.
From the State parklands of Leelanau County, Richard Forrest captures this historic site in “Back Yard.”
William White’s “Backlit” takes color to a new extreme. His use of shades of black emphasizes, brightens and emboldens the reds, purples and greens.
Geometry is art in “Balance/#264” by Ron Gianola, a clever use of shape and color.
Construction, paint, sculpture and pure imagination encapsulate “Barney’s Trick” by Rufus Snoddy.
Margaret White’s still lifes are legendary, from their detail to their color. “Bartlett Pears” is no exception.