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If peaceful and reflective is what you seek in a painting, look no further than “#1887” by William Sievert.
Have you ever imagined of walking through a quiet, blue forest? Now you can in William Sievert’s, “#1889.”
With a dreamlike imagination similar to William Sievert’s “#1887,” the artist adds a magical meadow in “#1890.”
That soft afternoon sun on our beloved Michigan coastline is captured beautifully in Richard Forrest’s, “A Passing Moment.”
Charles Murphy packs action, color and talent into this watercolor painting.
“Above the Gush” by Jerry Gates, oil-pastel, 37.5 inches wide by 31.5 inches high, framed, $2,700.
It is not easy to detail depth from such a small canvas, but Gail Hayton does so with “Afternoon at the Creek.”
“Along The Fence” by Thomas LeGault is a riot of color and a deluge of beauty.
Light and layers of fine detail define Gerald Moore’s “Amish Bales.”
“Atop the Stone Arch” is vintage Charlie Murphy, showing playfulness, nature and true talent.
Betty Bea Washburn captures the beauty of autumn and all its colors in “Autumn Blend.”
The peak of fall color can glorify your life all year long with “Autumn Color” by Alan Maciag.