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That soft afternoon sun on our beloved Michigan coastline is captured beautifully in Richard Forrest’s, “A Passing Moment.”
It is not easy to detail depth from such a small canvas, but Gail Hayton does so with “Afternoon at the Creek.”
“Along The Fence” by Thomas LeGault is a riot of color and a deluge of beauty.
Margaret White’s “Art Collector” has a gold, hand-painted frame.
Margaret White paints still lifes as cleverly as she does figures.
From the State parklands of Leelanau County, Richard Forrest captures this historic site in “Back Yard.”
William White’s “Backlit” takes color to a new extreme. His use of shades of black emphasizes, brightens and emboldens the reds, purples and greens.
We love our plein air painters, and our painters love their barns.
You can almost smell the blossoms and the earth in Thomas LeGault’s “Barns in Spring.”
Margaret White’s still lifes are legendary, from their detail to their color. “Bartlett Pears” is no exception.
Plein air painting at it’s best is found in the warm hues and nostalgic feel of Connie Kuhnle’s, “Ben’s Farm in May.”